Drifting Along the Danube

A quiet spot on the Danube (c) A. Harrison

I am drifting along somewhere between Budapest and Vienna. Although only mid-morning, the water lapping against the boat is lulling me to sleep. I float on birdsong, and in the distance I can hear a dog barking.

The Danube is indeed a mighty river. At the moment it is more a muddy brown than blue; although I have seen nothing but sunshine, it has been raining in Germany and the dirtied waters are sweeping down towards the Black Sea. Last night as I slept the river rose some two metres. Flood plains stretch to either side, and already the river nears the tree-line; it would not take much more for the river to sweep over the banks and flood the plains.

View from deck (c) A. Harrison

One of the many churches (c) A. Harrison

I didn't expect this; without thinking too much on the mater, I expected the Danube (and the Rhine, which is to follow) to be series after series of villages and town. They will come. But for now I'm floating in a world of forests, with the occasional stretch of farmland. It is a place removed from the worries of the 21st century, even from the stresses of living on a perfect picture-book village where the church's spire rises against hills covered with vineyards.

After passing Bratislava in Slovakia, the forests return. In between there are fields of canola, golden yellow against the green. Wind turbines fill another stretch, turning lazily in the breeze, birds darting through the blades. Hawks and buzzards hover over freshly ploughed fields.

Drifting past Walhalla (c) A. Harrison

Now the boat has reached Austria, and a large stretch of forest runs along either bank. For a while there is nothing but trees; then I spy small bird and deer-watching houses dotted every few hundred metres or so. Soon they are replaced by tiny wooden shacks complete with a wind turbine, all set for a weekend away. They are raised on stilts to guard against flooding. Most have nets hanging out the front, ready for a lazy afternoon of fishing. All are in impeccable condition.

Every now and then the river branches to one side, beckoning to be explored. Ducks and waterfowl are everywhere, along with white swans (for me, a novelty; I am so used to black ones). The longer we cruise the more I come to understand the importance of this river. For so long it proved a natural barrier, with Romans on one side, Huns on the other. At Budapest the Danube was almost impossible to cross unless the waters froze. All the while river rushed by, carelessly carrying fallen logs and trees in its path. It was – and remains – a natural highway, but to sail against the tide must have been incredibly hard, if not nigh impossible. I'm guessing horses were used to pull barges against the current.

Passing through a dock (c) A. Harrison

Now the Danube is (almost) controlled with numerous locks. These are incredible pieces of engineering; sheer walls of concrete, with gates strong enough to hold back the water. The world grows dark as the boat sits inside, a few mere centimetres separated wall and vessel. Stillness and darkness, and then we start to rise, for the boat is going upstream.

(Another interesting fact; with all my sailing being on the sea, I never knew port and starboard were in relation to the boat relative to the direction of the river. It took me a day to work out why I kept looking to the opposite side of where the captain was directing our attention. The last day of the cruise my husband and I sat up on deck, knocking back whisky with the captain - but that is another tale.)

Ruins along the way (c) A. Harrison

One of many gorgeous towns (c) A. Harrison

The far gate then opens, and the boat sails on. For a while we sail above the plains, the levy banks keeping the waters at bay.Soon there will be castles, and more castles, plus abbeys, cathedrals, and medieval towns galore. The crew call that stretch of the Rhine castle ping-pong. For the moment, however, I'm more than content to sit on the balcony and watch the forests and wetlands drift by, taking my time before drifting back to reality.

The Blue Danube (c) A. Harrison

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Montalbano's First Case - Andrea Camilleri